Karaoke culture

Handheld Learning 2009 has been special for a number of reasons, some of which I have already blogged about. But the opening keynote speeches this year, and one person in particular, took the proverbial biscuit. Malcolm McLaren is best known for his instigation of the punk movement in the UK in the 70s - the embodiment of anarchy, and is notorious as the manager of the iconic punk band the Sex Pistols. To invite him to speak at an event about mobile technologies in education would seem to be a little anachronistic, but speak he did, and he had a tremendous impact.

McLaren labels himself as an artist, which indeed if you examine his early history, is true. But he would be better labelled here as an agent provocateur - someone brought in to stir up emotion and cause a reaction. And that is exactly what he did. Looking more like an affable granfather than the angry man of punk, he took to the stage dressed in grey slacks, shirt and tie, and a comfortable wooley pullover. Gone were the wild corskscrew red locks, and the outlandish presence - it was almost as though he had assumed his place within the establishment. But nothing could be farther from the truth from the moment he opened his mouth and began to speak.

McLaren talked critically about the culture of Britain today - in his own words, often laced with profanity, it is a mediocre Karaoke culture - one in which there is no responsibility, and one in which reality shows hold sway, and instant success can be had for no real effort. This, he said was how the Blair government had functioned, and his remark about the inanity of Cool Brittania as a failed marketing ploy gained some audience approval. The instant gratification of the Karaoke culture, he suggested, was a huge problem for educators who are trying to instil a sense of achievement (even if it is a failure) into young minds.

His speech was at times rambling and self-absorbed as he reminisced over his time as a trainee wine taster, art student, musician and designer and eventually as instigator of the punk movement through his shop 'Sex', and his formation of the Sex Pistols. McLaren's ventures into the music and movie industries, and more recently, his full circle to return to his roots as an 'artist' have ensured he has been influential in all he has done, even though he is a self confessed educational failure. He has often been influential for the wrong reasons, and he admits that his forays into punk were calculated to destroy the comfortable complacency of middle class England and to challenge and undermine many of its social structures. He is a true anarchist in many ways, but is also perversely a part of the establishment, whether he accepts it or not. He has adopted the conventional, but without him, the present music and fashion industries may never have become what they are. Yes, the education system may have failed him utterly, but within his own account of his formative years, it is easy to spot how he also failed himself. He acknowledges this, but argues that failure in itself is not always a bad thing, and that the journey to discover oneself is sometimes more important. It was only when he became a student of art, he admitted, that he found his true identity.

McLaren had started his speech by admitting he knew very little about learning technologies. His parting comment though was telling, and resonated with many of his audience, even though many had been polarised. 'Don't becomes slaves to technology', he warned, 'see it for what it is. Use it as a tool, but don't become dependent upon it'.

Related posts

Authenticity vs Karaoke (Terry Freedman)

Malcolm McLaren and Education (Nick Kind)

Military-erotic wine-tasting education (mrjorgen Flickr video)

Edupunk won't go away... (Pontydysgu)